We are interested in hearing from potential new members at any time, but the start of a new season is always a good time to join us. We have a limited number of vacancies in all voice parts, and are particularly looking for high tenors and low basses. So if you have experience (preferably recent) of choral singing and you’re a competent sight reader, please do complete our application form and we’ll get back to you as soon as possible. If we think you can meet our singing requirements you will be able to join us for rehearsals until your audition.
Hilary Davan Wetton’s 70th birthday concert
CLC generously supported by M&G Investments
ROYAL ALBERT HALL, WEDNESDAY 19th MARCH 2014
Celebrating the birthday of the choir’s Principal Conductor and Artistic Director of 25 years, the CLC joins the Royal Philharmonic Orchestra and massed choirs for a special performance of this great work. The role of Gerontius is sung by Andrew Staples (“surely the most gifted and promising English tenor for at least a generation” Spectator), with soloists Diana Moore (mezzo-soprano) and Jacques Imbrailo (baritone). Click here for more details.
We look forward to a particularly exciting Christmas, this 50th anniversary year. The season begins with our ever popular Carols by Candlelight at St John’s Smith Square on Sunday 8th December – “a carol concert with bells on” (Guardian) – for which early booking is recommended, and includes performances in St Paul’s Cathedral for VSO and the Royal Albert Hall with the Royal Philharmonic Orchestra and Sir John Tomlinson. Click here for more details.
Thursday 14th November 2013 St John’s Smith Square
The City of London Choir (“perhaps our finest amateur singers”, Sunday Telegraph) launches its 50th anniversary season with the trumpets, sparkling choruses and irresistible joyfulness of Bach’s Magnificat. The exuberance of Mary’s song of joy is reflected in Bach’s scoring: with a five part choir and the fullest orchestral forces available to him, the composer achieves an astonishing range of colour and mood, and every movement illuminates the text with perfect clarity and conviction. This great paean of praise is paired with another: Handel’s Dettingen Te Deum, written among national rejoicing at a great victory in Bavaria led personally by the composer’s patron, George II. Composed on a similarly grand scale, it assured continued popularity for Handel in his lifetime, and received the following breathless contemporary review: “so truly masterly and sublime… that [it proves] this Genius not only inexhaustible, but likewise still rising to a higher Degree of Perfection”.
Hilary Davan Wetton (“one of Britain ‘s finest choral conductors” Daily Mail) conducts the City of London Choir with stellar soloists and outstanding baroque ensemble Music for Awhile (leader: Margaret Faultless).
Julia Doyle: “radiant, intelligent and wholly engaging” (The Guardian); “crystalline fluidity” (Early Music Today)
Robin Blaze: “an extraordinary interpreter… I don’t think I’ve ever heard such a seductive, limpid beauty of tone that has so much emotion behind it” (BBC Radio 3 CD Review)
William Berger: “his tone is beautiful, his technique immaculate” (The Guardian)
Click here for more details.